Two weeks ago I dared to mOrange school bus on white snowy roadake a phone call I’d been contemplating for a long time to my high school creative writing teacher. For simplicity I’ll call him Mr. Doe, as in John Doe. His wife picked up the phone and said he’d left the house but, nonetheless, we chatted for an hour about our common interests in classical vocal music, and having the same ornery German professor in a small private college in Minnesota. The next day I spoke to the man, Mr. Doe, after he returned from golfing. I still felt obligated to call him Mr. Doe instead of by his first name since our last conversation occurred in 1980 when I graduated from high school.

I itched to tell him what my self-imposed heart searching process had urged me to do: confront him with a thirty-three year old issue hanging out in the back of my mind. When I was a junior Mr. Doe, our young thirty-two year old teacher enthusiastically wrote on the corner of the blackboard the week’s assignment, “Write an award-winning essay and submit to the Scholastic Writing Awards.” I’d loved his class from the very beginning when he’d insisted we write in a journal every day–something I’d already been doing for seven years by that time.

I threw myself into this new assignment and wrote draft after draft on a topic on which I was an expert. Mr. Doe always said, “Write what you know and write truths.” To a seventeen year old farmer’s daughter who went to Lutheran Church every Sunday…come H. E. double toothpicks or high water writing truths was not hard. You went to the fiery place if you wrote lies, right?

I decided to write about something I’d done every day of my school life–ride the country school bus home and be the last one off. For days I revised and added “ing” phrases, descriptions, sounds, smells and colors until the fifth draft seemed perfect. I titled it “Busing,” and mailed my story to Scholastic in the personal essay category.

A few months later a letter arrived informing me that I’d made the finals. Good! I thought. That’s better than I’ve ever dreamed. Then a few more months later I received the shocking letter congratulating me on winning first place nationally. I reread the letter to see if I was mistaken, but no, I’d really won. Someone from Chicago flew in, presented me with a $600 check and a photographer clicked lots of pictures with me, Mr. Doe, and the principal.

Yet, I remembered the day I told Mr. Doe. “Um, I think I won this contest,” as I shakily handed the letter to him.

Mr. Doe looked over the letter, rubbed his beard, leaned back in his chair and looked out his window. “I wonder why Susie Smith didn’t win.”

I looked at him, shrugged my shoulders, and without a reply took the letter back and walked away thinking, “I guess this Scholastic company must have not really picked me for the right reasons.” When Scholastic published the awards magazine and instead published the second place story about a trendy topic I felt even more confirmed that my first place wasn’t such a big deal after all. Still the community bank sent me a card with every employee’s signature on it congratulating me for my fine achievement. That was nice, but what Mr. Doe said, meant more to me.

I tucked the story in a folder and a year later entered college to pursue an English and music degree. I was the fifth child out of six but the first to go to college. I never thought much about the essay until a half-dozen years ago when my nephew said, “Aunt Laurie, did you ever write something about riding a school bus?”

“Yes, why?” I couldn’t fathom how he knew.

“Well, my English teacher, Mr. Doe read your essay to our class that you wrote a long time ago and said it had won in some contest first place and was good writing.”

“Mr. Doe said that?” I sat on my sister’s couch staring out at their cornfields. He thought it was good. Huh. I never knew. I wonder if he knows I studied English literature in England and received a degree in English or was the editor of the college literary magazine.

Again six years or so passed. I still always wanted to ask Mr. Doe why he said that dismissing phrase in 1979 when I showed him my award letter. Why he didn’t just say, “Congratulations Laurie!”

Finally we spoke on the phone two weeks ago. We exchanged the usual niceties and I told him I’m a theatre critic and working on a revision of my memoir. Then I sidled around to the question, “Mr. Doe, I’ve always told everyone you taught me my first good writing techniques, how to do free writing exercises, how to write truths, but….uh…there’s something you said that I could never decipher. When I showed you my Scholastic award letter for my bus essay, you said you didn’t understand why Susie Smith didn’t win.”

Dead silence for what seemed like an hour on the other end of the line.

“I can only say, Laurie, that back then I thought that writing had to be complicated to be good. You wrote simple and clear and direct. And you wrote about what we lived out in the country. It was fine writing. I read your essay every year to my students as an example of good writing. Did you know that?”

“Well…thank you. Actually, my nephew did mention that to me quite a few years ago–that you’d read the essay to his English class. I was surprised. It’s good to hear it coming straight from you though.”

We only chatted a few minutes longer. I hung up and looked out my apartment window of my Texas home. I felt as though the dust had cleared after the school bus passed by on the gravel road.

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Ice cream pail of eggs

Today I’m committed to playing a Russian Roulette game with myself and my diary. My cousin , “Grace,” and I created the game years ago. I’m opening  and reading May 8, 1974. I was twelve years old, in the sixth grade and living on a dairy farm in the Midwest:

Wednesday, May 8

I got 37 eggs today. Susie peed in the bed again. Oh, she makes me mad.

On my test in school I got [a rating] from the 7th grade to 11th grade. One or two people got 2nd. grade!

Mom took Susie along to Ladies Aid in the afternoon. Wanda came for a little while.

Good night L.L.L..

That’s the whole diary entry written in blue ink. As I child in Sundayschool I studied Luther’s small catechism and there was always the same phrase after a section: What does this mean? Luther launched into an interpretation of the Biblical words to make it understandable.

My interpretation of the of above entry: First off I will tell you that to protect people I never use real names except for myself. Susie, my mentally challenged sister urinated in the bed again and I’m daring to record just how angry that made me feel. It happened over and over and at times leaked onto me and my pajamas while I slept with her. No wonder I was “pissed” off. Complaining to anyone out loud fell on deaf ears because we all had to put up with inconveniences due to Susie, so whining was pointless.

The second item is my recording of a high rating on a test. I rated leagues ahead of most kids in my class. In my diary I could brag and not be berated for immodesty. I took advantage of that. Midwestern Germanic background folks don’t toot their own horns, in general.

This entry in the little cloth diary is not monumental and, in a way, I’m glad. It shows the day in the life of a farm girl in the mid 1970′s. I’m scanning through the rest of the year this afternoon and looking for stories. They are there, but I don’t always have the guts to write about them. I suppose it’s like cracking an egg directly into your cake mix instead of into a different container first, just in case it’s a bad egg. You risk ruining the whole cake. I gingerly opened the diary  and spilled it’s contents it into the cake mix of the present willy nilly. Thank goodness it wasn’t a terribly rotten day. Granted, having to put up with my little sister soiling the bed was no picnic, but it  could’ve been worse. I guess.

The visit from my sister Wanda was looked forward to. She’d just returned from collecting her things at school after getting engaged. I rarely saw her and missed her terribly.

Mom taking Susie to the Ladies Aid meeting was noteworthy because I didn’t have to babysit her–a welcome break from the job of watching her.

The recording of the egg count was habitual and I think as writers do morning pages nowadays, that sentence was a way for me to get my pen moving. I gathered eggs and fed the chickens all through my childhood. And the days collected in my diaries. Each kid had their chores to do on our farm and the chickens became my job. If I got sick someone else had to do the task for me and then I’d make sure that they counted the eggs and told me how many they gathered so I could write it down in my diary and on my egg chart on the back of my bedroom door. Why in the world I cared so much about the numbers I’ll never know, but to me I just counted things because I could.

Two days ago I sat in a coffee shop and wrote after a long walk along the river. I  could have gone home and painted and wrote in my studio but I longed to be around humans. Yet, when a woman started chatting to me about the contour line drawing I sketching, I somehow felt interrupted. Still…I continued the conversation and listened to her adventures of moving from a liberal area in New York to a conservative area in Fort Worth, Texas. As I listened I realized that I viewed Fort Worth as so much more liberal than the ultra-conservative city in a north Dallas suburb that I had moved from in the fall.

Perspective kept coming to me. The woman felt restricted by people because of her race and yet I didn’t sense that at all. I’m white and the woman I chatted with was black. Is it a race thing I wondered…really? She looked over her should so many times as we spoke that I wondered who could convict her in the coffee shop for just having an opinion. I really enjoyed chatting with her, and entering her world for a moment, but I did want to get back to adding color to my line drawing. It was as though my human interaction cup had been filled and I was ready to go back into “art land” where I don’t speak to anyone but the image on the paper and the scene in front of me. I posted the photo and the painting alongside of each other on Facebook and a friend commented on how much she liked my warm painted version of the scene.

Pondering my perspective paid off in a pleasing painting.

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"The house lives on in my dreams"

When loan sharks give money to desparate borrowers, then break their legs if they don’t pay them back, it’s a crime. Big banks in America loan money to folks they know aren’t in the financial position to likely pay them back. Then they break their financial legs and foreclose on them. Their penance is to pay back mere pennies compared to the trillions of dollars they keep.

Robo-signing is a crime and not a little “oopsie.”

Why is this not being delt with more appropriately? Millions of honest Americans trusted that the loan would only be given to them in the fashion to which they truly qualified, but that’s just not the case. Who can you trust?

Robo-signing is a crime not a little oopsie

Farmstead

What does this mean?

This phrase follows each commandment at the beginning of my navy blue Luther’s catechism book. I’m going to try this format.  Below is the entry from the diary I wrote forty years ago in 1972.

Tuesday, January 4

We went to Gramma & grampa today. I have 25$ and some cents. It’s my turn to write my cousin Geri. Geri got drunk.

What does this mean? My parents, fours sisters and brother piled in the green chevrolet and drove from our farm ten miles to Hamburg, Minnesota on the outside of town where my grandparents retired in a red brick three story house with their two mentally challenged daughters. We visited for the day. Aunt Lydia probably talked so fast she spit in my eye, but I didn’t complain because my little sister was also mentally challenged and I knew better than to make fun of her. At least Lydia could talk. Aunt Elvera probably forced a cat to lay back in her arms and insisted, “It’s gonna rain today” even though the sun shone brightly. Grandma served coffeecake she baked with her hair pulled back into a large gray bun on the back of her head and big white apron draped around her sagging breasts and stout body. Grandpa wore blue bib overalls on his thin frame and sat on the couch with a white sheets over it and chewed a plug of tobacco while watching TV with the volume turned way loud. I played with the marbles kept in a tin coffee can in the hall closet.

I reported the amount of money I currently had saved from my birthday cash and other savings, generalizing, “and some cents.” The money was stashed in a jewelry box most likely. At ten years old I mizered every bit of money I received and eventually deposited it into the savings acount in the Green Isle bank two miles away.

I gave the status of a letter owed to my fourteen year old cousin Geri who lived in South St. Paul with only her grandpa because her mother died in childbirth, her father took off and her grandma died. Leaving her to be raised by her nearly blind and deaf grandfather, who was quite easy to fool as needed. Geri reported to me in a phone conversation or a letter that she’d gotten drunk, not so much to show off to me, but just telling me the regular way her life went. She did what she wanted when she wanted with little guidance from her “pa.” I was stunned and fascinated by her drinking ordeal.

Have I evaluated what this day meant to satisfaction? I don’t know. I do know that I wrote this with a blue pen in a little book given to me by my Sunday school classmate in the Christmas gift exchange. I couldn’t wait to start writing in it on January first just like my mom and my cousin Geri wrote in their diaries. It seemed like a very grownup thing to do.  The habit took me to adulthood and lingers to this day. Stacks of diaries line the shelf from forty years of my life. And the words sooth me, take me back to a day on a farm in Minnesota even though I sit at my desk in Fort Worth, Texas and look out the window to the black night. I imagine the black window I looked at when I wrote in this diary. The window is long with oak wood trim, cotton curtains, blue with small yellow flower print. The January winter wind rattles the panes and frost covers the corners. I’m wearing home sewn flannel pajamas as I lean against the wooden headboard with beautiful oak wood carved in dipped circles and swirls. The pale pink lamp hooks over the top of the headboard and I write four lines by it’s light. Secret words in MY diary, just like Mom and Geri. Click the lock shut, turn the key and place the diary under the mattress with the pen stuck under the band locking the book tight. I place the key in the drawer of my jewelry box for safe keeping. Give my long blond hair a few strokes with a brush, turn my pillow around and crawl under the layers of quilts.

"Google eyed gingerbread men"

At midnight I attended a Catholic mass–a new activity for me. In 1984 I attended one in Germany just before I began a nanny job. So, it’s not shocking that I dont’ really know the rituals and even if I did, they’ve changed. The priest explained that if one wishes to go to communion but only wants a blessing to place your hand over your heart. He demonstrated.

I turned to my boyfriend and said I don’t think I want to go up there. It seems like only Catholics are going. He encouraged me and I wanted to go up with him, but didn’t want to mess up. So, up the aisle we walked slowly in the long line. I waited until fairly close to the priest to place my hand over my heart. I didn’t want the whole darn congregation to know I was a “nonparticipant” in the wine and bread. Seemed like a scourge somehow.

I put my hand on my heart and took the last few steps toward the older priest, not the one who made the big announcement. He smiled at me, then giggled, then blessed me. I looked at the floor. What did I do wrong? God, this is so embarrassing. I made the priest laugh. Is my low-cut dress showing something it shouldn’t? Do I have spaghetti sauce on my hand? What?

As we reached our pew I whispered to my boyfriend, I mad the priest giggle, glad I could provide him with some entertainment for the evening.

I’m thinking that maybe I put my hand on my chest like I was saying the pledge of allegiance instead of in a fist, who knows, but now I know giggling priests are where you least expect them.

"Small snow scene"

This little watercolor I painted is an example of taking a Christmas card and copying it. imitation is the sincerest form of flattery…or is it just laziness on my part to come up with a new design for a painting? Fact is that copying another person at least gets me started and then I go off on it and paint more in my own way.

Yesterday I accomplished the artistic task of redesigning the boxes of TOO MUCH STUFF  in my garage. Somehow I don’t feel as artistically fulfilled when I clear out garage clutter as when I design and paint a watercolor.  To  top it off my feet are killing me from standing on the cement and my knees ache from walking up and down the stairs about twenty times.  My old voice teacher would say at this point, “Wa, wa, wa, let’s call the waaambulance.”

At least today, I will have a strong desire to sit and that means I’ll paint and write more.

Ice packs you are my friends. Any one else feeling old today?

"The nest"

A cold cloudy Texas day…after an evening of sorting through six boxes of Christmas decorations I’m fighting holiday blues. I’ve become an empty nester this fall, AND moved my nest to another city, AND created a new nest with my boyfriend, AND changed occupations. Now I’m just trying to sort it all out.

I ran across the egg chart I recorded in 1974 and found that as a girl I collected 12, 257 eggs that year on our farm. Each month I determined the average number of eggs I collected in a day and at the end of the year the average number of eggs collected each month. No one in my family cared how many eggs I collected, but it was important to me.

Now I collect stories  in a blog, in a dairy, in a book. Each with a different color and size. A gatherer.

"A collection of eggs"

“Snow flower cage”

This evening I review a Christmas musical in Bass Hall. Perhaps the spirit of the season will flood in as I view the show. Either that or I’ll repel it like a menopausal woman tossing blankets while having a hot flash as she wakes in the morning.

 
Not that I KNOW what that feels like.
 
My mind is clean and blank like a field of snow in Minnesota winter. Is that a good thing? Yes, I believe it’s a good frame of mind to be in as I view this performance and do not consider the opinions of other reviews I’ve read about this musical. Some are raving others are…not.

"Tom's Barn in snow"

 
We have no white fluffies in Texas…yet, so the show “Irving Berlin’s White Christmas” may help the snowless Texans find their inner Eskimo.
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